The Giver of Stars by Jojo Moyes

I love Jojo Moyes. Like many people I was introduced to her writing with the novel Me Before You. I became immediately attached to Louisa Clark, mainly because I felt that Moyes had created her character by stepping inside my head! My husband was paralysed due to MS and when I fell in love with him he was in a similar wheelchair to Will, with the same interests and charismatic spirit. Sadly, I lost him in 2007 and I have read Moyes’ follow up novels and found her depiction of grief and moving forward intelligent, moving and real. 

The Giver of Stars is a different type of novel. It has the historical setting of the Depression in rural Kentucky. In a town where the Van Cleeve family own the mines where most people work and levels of rural poverty are high. African-Americans are still subject to segregation and while middle class women are expected to stay home and know their place, women in poorer families are working hard while trying their best to feed and look after ever-growing families. Into this setting comes Alice, the English bride of the heir to the mining fortune, Bennet Van Cleeve. Bennet is handsome and considerate, and their marriage seems to start well but once they reach the family home things change. Bennet lives with his father, after the death of his mother and the house is still being run to her exacting standards. Alice finds she has little to do. The house is full of her late mother-in-laws ornaments and china dolls, and Mr Van Cleeve doesn’t like anything to be out of it’s normal place. More worrying is the change in Bennet now they are home, despite showing some desire at the beginning, the proximity to his father is affecting their sex life. Several months down the line their marriage is still unconsummated and Mr Van Cleeve keeps hinting about grandchildren, adding to the pressure.

When a town meeting is called to discuss President Roosevelt’s initiative to get the rural poor reading, Alice senses an outlet for her energy. Margery O’Hare will head up the initiative. She is an outspoken and self-sufficient women who doesn’t listen to the opinion of anyone else, particularly men. She opens a door for Alice, out of the claustrophobic Van Cleeve household, into the wild forests of Kentucky. Alice learns to ride a mule, and along with Margery and two other local women she sets out as a librarian for the Packhorse Library. At first, rural locals are suspicious of an Englishwoman coming to the door offering them books, but soon Alice finds a way in and starts to be trusted. She also finds she likes the open air, the smells of the forest and singing of the birds. There is also the freedom to be in more casual dress and the camaraderie she is building up with her fellow librarians. She is close to Margery and when she confides about her marriage, Margery loans her a book she has been sneaking out with the novels and recipes. It is an instruction book on married love and Margery has been loaning it to poor women on her rounds who are inundated with children and need educating about sex. Alice takes the book home and a series of events are set in motion that change not only the Van Cleeve household, but the whole town.

Mr Van Cleeve is determined to deal with Margery O’Hare and vows to destroy the Packhorse
Library altogether. Margery is sure that a devastating flood has more behind it than high rainfall and suspects the mines. She has left herself vulnerable with what Van Cleeve sees as transgressive behaviour: she is exposed as having a relationship out of wedlock, she has hired an African-American woman who used to run the coloured library and she is encouraging townswomen to take control of their own lives. She seems impervious to other people’s disapproval so what lengths will he have to go to in order to stop her?

Meanwhile, Alice starts to fall into a friendship with Frank who helps out at the library by chopping wood, putting up shelves and being a general handyman. They bond over poetry and spend hours talking and working side by side in the library building. The other librarians have seen what’s happening, but Alice doesn’t seem to realise this man is falling in love with her.

I loved this book. I was on holiday when reading and I stayed in my holiday cottage for two days to read it. It is beautifully written and researched, with characters I fell in love with. Moyes manages to capture the tensions of the Depression, depicting rural poverty, domestic abuse, and the rise of feminine power. New attitudes towards race, feminism as well as marriage and sex come up against old money and old values in a tragic way. I found myself desperate for the progressive characters and attitudes to prevail and it was this that built the tension and kept me reading till 2am! Real, romantic and simply great storytelling. An absolute must read and perhaps her best novel to date.

Little Siberia by Antti Tuomainen

This book was a totally unexpected little gem. It surprised me, confused me and occasionally made me laugh out loud. The trouble in the village starts as a man takes a (very drunk) scary drive along the back roads. As the car hits a bump he takes off into the air. He takes a quick glance over at the seat next to him, as if he expects someone to be sitting there. Suddenly, a bright light seems to fill the car, and as the rally driver lurches to a stop he sees a fireball in the passenger seat. The fireball turns out to be a meteorite. 

A little while on and we meet our narrator Joel, the village pastor who also volunteers as security in the small museum where the meteorite now resides. Hurmevaara is a small Finnish village in the north, snow bound and isolated from the outside world. The meteorite only has a week left on display here before moving on. Rumours suggest it is worth millions. This is a bad day for Joel for two reasons. Firstly he hears sounds at the museum and finds himself attacked by two intruders. One cuffs him on the head with a hard object. The other makes a grab for an exhibit. He assumes they are stealing the meteorite and follows them as they make their getaway. He follows them to a remote cottage and watches as they turn on each other. One grabs their loot and runs inside the house, soon followed by a huge explosion. They have stolen a grenade, not the meteorite. Secondly, his wife, who he loves very much has just informed him she is pregnant. This should be good news; they have always wanted children. But our narrator is carrying a huge secret. On his last tour in the military he has been injured and although largely recovered he was told one thing he kept from his wife. He is unable to have children. 

The rest of the novel we follow Joel as he tries to find out who wants the meteorite and who is the father? Are they even the same person? The novel veers between serious meditations on faith and belief, thrilling action sequences as Joel’s various adversaries cross his path and the blackest comedy. I love the sequence with the grocer’s suspicious early morning visit and laughed out loud as Joel has to improvise with a scarf to convince someone a Russian gangster isn’t as dead as he seems. The author weaves these threads together to create a unique novel that all Nordic noir lovers will enjoy. It’s a great thriller and because I have a dark sense of humour, hilarious in places. It is quite unlike anything else I’ve ever read. 

The Glittering Hour by Iona Grey

It was a privilege to have the chance to read this beautiful historical romance. Iona Grey has set her novel in the decade post WW1, where a new generation are coping with both a legacy of loss and parents that are still stuck in the hierarchical society of the Edwardian period. Selina Lennox is one of the ‘Bright Young People’, followed by the press from party to party, and determined to the live the full life that their parents, and especially older siblings, have missed out on. Her family are part of an ailing aristocracy that still has its property but is running short on money. Her elder sister is making an advantageous marriage and since the death of their brother in the war they have the pressure of producing a male heir. Selina is being steered towards the heir of a ruby mining business situated in Burma. Rupert is a war veteran, and it is possibly active service that has made him so stiff and taciturn. Selina finds him too serious and prefers the company of her friends and the social whirl of extravagant parties thrown during the season.  One night, while careering through London on a treasure hunt, the car she is travelling in hits a cat. Selina can’t leave the poor creature and is horrified to see her friends disappearing into the night, leaving her in a garden square somewhere in Bloomsbury.

Young, struggling artist Lawrence Weston chances upon Selina and offers his help. They climb into the garden and give the cat a proper burial. Selina is drawn by this dark haired young man but also knows she is taking a huge risk disappearing at night with a stranger who isn’t from within her social circle. Lawrence is transfixed by Selina’s golden beauty and feels an instant connection. He knows she is far above him and her family would be horrified. He lives in a shared house and rents a studio where he paints portraits of the aristocracy’s lost sons of war in all their military splendour. This pays the bills, but he would love to be a photographer and as yet no one sees this as art. Realistically, he has no chance with Selina but can’t seem to stay away despite receiving warnings from most of his friends.

Interspersed with this is the story of Selina’s daughter Alice in the years before WW2. Alice lives back on the family estate and is being looked after by Polly who was Selina’s maid. Alice’s grandparents are still in residence, living the values of a bygone age. Miranda has now given birth to Archie, the all important heir for the estate. Selina is in Burma with her husband and we see their journey in a series of letters she writes to Alice. They clearly have a very loving relationship, so it seems strange that Alice is hidden away in the cold nursery corridor? I kept wondering why, if she loves her daughter as much as she seems to, would Selina leave her with a family who show her no affection? Alice has been sent a treasure hunt from her mother and Polly gives her the clues to follow. Solving the clues takes her to different parts of the estate and, in her mother’s words, should tell her how she came to be. This is how Alice comes to know and love the gardens, especially the deserted Chinese House with its old gramophone. What link could they hold to Selina’s past and Alice’s future?

Iona Grey has created a beautiful novel here, filled with moments of joy and sadness. For me, the meaning of the title encompasses both the historical period and the love story at the heart of the novel. The 1920s do stand as a ‘glittering hour’ - a moment of extravagance, partying and glamour, between two world wars. The generation who were young in that period defied the death that had stalked the previous generation in the trenches and were determined to enjoy life while they could. For Lawrence, Selina is his glittering hour, a moment of pure love and beauty that burns bright but can’t burn forever. Grey shows what happens when we dare to break away from the boundaries and societal rules of our class and how the reverberations from this can last for several generations. The love may not last, but the memories can sustain us for a lifetime.

Thanks to Simon and Schuster UK and Random Things Book Tours for the chance to read this novel and join the blog tour. See below for the next stops.

The Lost Ones by Anita Frank

I am a real sucker for a historical, gothic novel with strong female characters and this is up there with the best. The Lost Ones centres on Miss Stella Marcham and her new lady’s maid Annie Burrows. Stella is still in mourning for her fiancé Gerald who she lost in the World War One. She keeps the locket he gave her close to her chest still. When she is invited to stay with her pregnant sister Madeline at her in-laws family home, Greyswick, she looks forward to a change of scenery. She sets out with Annie, who is a new addition to the household. Stella is unsure of Annie, but her family’s loyalty to the Burrows is long held and she resolves to get to know the unusual young woman. 

Greyswick is a country estate, with formal gardens and ostentatious decor. Madeline is married to the heir of Greyswick, Hector Brightwood, who is away on business in London. At home are his mother Lady Brightwood and her companion Miss Scott, plus their staff, housekeeper Mrs Henge and ‘Cook’ whose name no one uses. However, Stella soon learns that they are not the only residents of her sister’s new home. Madeline confides that she can hear crying in the night and soon Stella finds a toy soldier in her bed. It’s not long before Stella is woken by the crying and follows the sound up the nursery stairs. On the stairs is a vivid portrait of a little boy with a hoop and in the background Stella sees a pile of toy soldiers. The portrait is of Lucien Brightwell, the original heir from Lord Brightwood’s first marriage, who died in a fall down the nursery stairs. This is only one of many secrets being kept by the Brightwood family and Stella senses a mystery to be solved. The creaks, bumps and cries in the night are her only clues. 

This book sits in a long tradition and I had thought of Marian from Wilkie Collins’s The Woman in White even before Anita Frank mentions the book which is a reading recommendation from one character to another. When Hector returns home, bringing with him Mr Shears I could sense that tension between men of reason and women of instinct and intuition even more strongly. Franks brings together other historical threads I love. Frank’s book is set post WW1 and the tensions of this time are apparent. Women’s roles have changed and Stella represents this. She expected to be a married woman by now, but has instead chalked up experience nursing wounded soldiers and like most of the country is mourning a terrible loss. She is intelligent, and restless after moving back into her ‘normal’ middle class role. She has also undergone psychiatric treatment following her bereavement, complicated by the fact that her severely wounded fiancé was brought to her hospital and care, and fears being thought of as mad or hysterical. She feels a constant pressure to be measured and rational. 

Other women in the novel are equally complex and class is another tension. Stella’s family are indebted to the Burrows family after Annie’s father died trying to save their younger sister Lydia from a house fire. Annie has been trusted with a job beyond her experience and is trying to remain under the radar due to her own incredible gift that could mark her out as crazy. Since the family lost their main bread winner Annie needs the job and doesn’t want to draw attention to herself, but Stella has her concerns since she has seen her talking to empty rooms and knows she saw something on the nursery stairs. Lady Brightwood’s companion Miss Scott lives in a very precarious position, living with the family but being of a lower class than them. She was once a servant in the house, so how did she become so close to her mistress and does her devotion go beyond that of a companion? Also, what is her relationship with Mrs Henge and why is their contact so secretive? 

Finally, the paranormal elements of the book are genuinely scary. The tension ratchets up from small events like the crying or the marble rolling across the room that could possibly be explained away. Mr Shears tries to find a rational explanation for all of it and I did find myself thinking Annie’s presence was a potential cause. Then slowly, as people start to identify the poltergeist as Lucien Brightwell, the ante is upped as more characters experience what seems impossible. The atmosphere is creepy and unsettling, reminiscent of Susan Hill or Laura Purcell. It is also a female led detective story and builds to a denouement that doesn’t disappoint. Anyone who loves historical or gothic fiction will enjoy this novel. It’s a great Halloween read that sits in the Victorian genre of sensation fiction. Perfectly pitched, beautifully written and full of interesting and complex female characters.