I have raced through the book over a couple of days because
I was dying to find out what happened back in the 1970s to Elena and Susannah.
A terrifying and traumatic event links these two women until the present day
and it can’t stay a secret for ever. In the present is Elena’s daughter Kali,
who has just lost her mother to breast cancer a mother she could never make
sense of or bond with as she wanted.
Lucy Atkins |
The novel is an incredible insight into relations between
mothers and daughters. Kali’s sister Alice has a great relationship with her
mother that seems easy, whereas Kali and Elena clash over everything. Kali sees
that her mother finds her hard to nurture and believes it is her fault. It
takes putting herself in danger to find out why and in finding out she also discovers
that essential piece of the jigsaw that tells her who she is and grounds her in
a history. The novel shows how when you become a mother it becomes more
important than ever to know where you are from and how you belong. It also
shows how the secrets of one generation have a huge impact on the next, even if
the secret is kept with the best of intentions. The book cleverly shows the
difference between generations since we have now moved into a world where we
put our own lives on show for fun. In a world where counselling and therapy are
becoming the norm it is no longer seen as acceptable to keep such huge secrets
and we know as post-Freudians what effect those early years of parenting have
on the adult we become.
Aside from the complex human relationships are the family
ties within the Orca families. We see how there are resident pods and transient
pods with different feeding habits and rules to abide by. It is also clear that
parallels can be drawn between the whale relationships and the human ones.
Elena is so moved by their mothering instincts and the possibilities to map
their language and understand their emotions.
She gives up everything to spend as much time with them as she possibly
can even going to sleep on her floathouse with the sounds of whales drifting up
from a microphone in the water. I learned so much about these incredible
creatures without losing the majesty of them and the awe a human being feels
when a huge tail rises up out of the water next to their boat.
The book reads as a dissection of family relationships, a
thriller, a study of whales and a study of grief. Grief causes Elena to suffer
with depression throughout her life, grief traumatises Susannah to the extent
that she is unbalanced by the things she has witnessed and it is grief that
compels Kali to jump on a plane to Vancouver with nothing but a few postcards
and the internet to go on. I struggled to put the novel down because of the
thriller element. Like a good crime novel, you desperately want to know the
truth of who- dunnit. Yet it is those final chapters I like best, after
everything is resolved and each character is living in the aftermath of exposed
secrets and recovery from physical and mental injury. The novel could have
ended there and I am glad that it went further, back into Elena’s past so that
we can see her happy on her floathouse making coffee and then hearing those
whales come to greet her. As a widow of eight years I found those final words
of Elena’s deeply moving:
She would go back to
that throughout her life, right to the very end. But the last time, when the
world had shrunken to the contours of her skin and she leaned over the
railings, it wasn’t the whales that she saw in the water. And so she jumped.
It made me very hopeful for whoever might greet me when that
time comes.
my missing one |
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