Something very strange happened while I was reading Paul
Sussman’s book. I was up at night feeling unwell and made it half way without
even taking a break. I had never read any of his books so as far as I knew this
could have been a debut novel or one of hundreds. I launch straight into books
without reading introductions, forewords or acknowledgements because I don’t
like to be swayed by them. I don’t want someone else to tell me how to read a
book, or in what context; I like to make up my own mind. I must admit on this
occasion I was drawn in by the cover, but beyond that and the back cover blurb
I knew nothing.
I realised half way through that I was reading with a smile
on my face, despite feeling physically grotty! It made me smile because of the
dark subject matter, the humour and sheer ingenuity of Raphael. I put it to one
side and thought ‘I really wish my husband Jez had been around so I could read
this to him’. He died 7 years ago and prior to his death he couldn'tJez himself. This is one of those books. I then
turned to the foreword and noticed it was written by Paul Sussman’s wife Alicky. I was so sad to read that she had been
through the same loss I had, but amazed by the parallel.
hold a
book and couldn't see to read for himself. He could get listening books but
there were certain, funny, books that we liked to share so we could fall about
laughing together. They would usually be ingenious, darkly comic and just a
little bit bad – rather like
The character of Raphael Phoenix is irresistible. A
cantankerous old pensioner, living alone in a castle, he decides that 100 years
of living is enough. He has a plan and he also has a pill. He has had the pill
his whole life since his birthday party with his childhood friend Emily. Emily’s
father is a chemist and in his poison cupboard, among the ribbed glass
bottles, is an innocuous white pill with a simple nick in one side. It has very
particular ingredients that ensure an almost instant and painless death and it
is the only thing he wants for his birthday so the pair replace the pill with
mint of the very same size, with a nick from the edge to match. Raphael keeps
the pill with him through his incredible life either in his pocket, in a gold
ring or in more difficult circumstances, sellotaped under his armpit. He trusts
his pill and knows that it will deliver the death he wants as he sits in his
observatory, with an expensive glass of red wine (over £30 a bottle) watching
the millennium fireworks. However, before then he has a story to tell us,
several stories in fact, which take us through some of the most important
periods of the 20th Century and he has a very peculiar way of
splitting these stories into sections.
I had no idea what to expect and so I was surprised and
charmed by this magical piece of work. It manages to be both, earthy and funny,
but also incredibly poignant. The only two things he can depend on through his
life are the pill and his friend Emily. Emily isn't always by his side, but
just manages to be there at the right times and seems to set his various
destinies in motion. Raphael works backwards with his tales until the reader is
desperate to know how all of these incredible twists and turns are set in
motion and also whether his trusty pill will work so he gets the end he has
been working so hard towards. I would read this if you enjoy dark humour and
tall tales and like your narrators to be, ever so slightly, morally ambiguous.
It is darkly enchanting and I fell in love with it.
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